G12h30 For Blues Jr

Feb 24, 2014  · My favorite combo for non-Vox type amps? A Gold/ G12H30. If I need a bit more power handling? Gold/ Eminence Legend V128. The blues work nicely with the same combos but sound far different. Although I love golds, for Voxes in particular, Blues are a necessity, Something about the match between an AC30 and 2 blue 12s just makes it sound like a Vox.

Mar 29, 2009  · But the question was about a G12H30, a total different animal and a great speaker, very punchy and quite agressive but in a good way. I’ve got a G12H30 in a Fender Blues Junior and it improved that amp’s tone quite a bit. And a friend of mine tried it with his Marshall VM 50W head and liked it so much that he ordered one.

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Nov 01, 2007  · Vintage 30 vs. G12H for an Avatar 1×12 cab (w/ Tiny Terror). they’ll have a "Blues" sample of the V30 on a Strat paired up against a totally different "Blues" sample of the G12H on a Les Paul with completely different amp settings, pedals, players, etc. for each sample. I’m talking about the Celestion G12H30, not the more expensive.

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Photo by Denise Maccaferri Earlier, I used “lush” to describe the album’s sound, but that’s only one way the tones stray from blues norms. What pushed you in different directions? I didn’t want to.

Feb 23, 2009  · I did a quasi-BillM mod with some old paper/oils in the the tone stack, NOS power tubes and a speaker swap. That helped quite a bit but the tiny cabinet is what kills these amps. I ran my Blues Junior through an Avatar OS 2X12 w/G12H30’s and that rocked! Really good tones..

Pole Dancing Classes In Minot Nd Robert Johnson Genius Of The Blues Then he listened." Despite that incident, McCormick was perhaps best known as being the supersleuth who possibly solved the deep, murky mystery surrounding the death of iconic blues guitarist Robert. He’s a part of a lineage that goes back, basically to Robert Johnson and Charley Patton. For a good

Aug 12, 2003  · I know this has been talked about.I’ve read through the archives and these seem to be the speakers most people are using in their Jr’s. I’m about to do a swap and weighing all the possibilities. If you are using one of these speakers, can you tell me why you choose it over others? Also, does anyone know if the Celestion Blue Frame will fit in the Jr.? and is anyone using a Jensen?

Oct 28, 2009  · Which one would you guys recommend for blues and chord melody work? I play a lot of flourishes when I’m playing chords and I don’t want a speaker that covers that up. That being said, the wind cries mary does have one of the best sounds I’ve heard someone get on a solo. The biggest differencs in the G12H30 and the Heritage G12H30 is that.

Mar 10, 2015  · Dave’s Corner: Speakers For Guitar-Tone Tweakers. Published Mar 10, 2015 by Dave Hunter. or a Voxy chime if you’ve got a pair of Alnico Blues in it, giving a little more punch than the floating-baffle cab. There is so much to say about speakers that I could go on forever, but let’s leave a detailed discussion of power handling and.

Mike’s primary dirty tone (each can be switched on independently or together): 65Amps Empire 22-watt head through a 65Amps 2×12 open-back speaker cab with Celestion G12H30 & Alnico Blue speakers,

Mike’s primary dirty tone (each can be switched on independently or together): 65Amps Empire 22-watt head through a 65Amps 2×12 open-back speaker cab with Celestion G12H30 & Alnico Blue speakers,

Photo by Denise Maccaferri Earlier, I used “lush” to describe the album’s sound, but that’s only one way the tones stray from blues norms. What pushed you in different directions? I didn’t want to.

Aug 29, 2010  · My local dealer has a Fender Blues Jr. and a Orange Tiny Terror, and he can get a Peavey Classic 30. My choices are limited to these, in that I have around $240 of a trade in credit with the dealer. The Orange is very pricey, so I am leaning more towards the Peavey or the Fender. I.

Nov 19, 2014  · In the end, I was disappointed with the Celestion Seventy 80 speaker to my amp Ibanez TSA15 stifling my Strat; I searched the net for a replacement HP, I hesitated with a Celestion G12H30 a bit expensive, and chose the Eminence The Wizard for clarity of sound, and the width of the spectrum.

Jul 31, 2013  · Amph to be delivered today. Blurb from Fender: Specs Here. Lone Star Strat sounds "in yer face" with the Mesa on the Vox and Tweed settings, (thats all I had time to try yesterday), hopefully this amph will pair well with her.

Oct 29, 2007  · He has always been super helpful. I the ended up getting a 1×12 w/ g12h30 in open back.of course I’m running an Epi valve jr on the top not a TT. The Celestion Blues are too expensive. They essentially double the cost of the Avatar cab.

The G12M Greenback is perhaps the definitive vintage Celestion ceramic magnet guitar speaker. Developed in the mid-sixties, it was quickly adopted by players like Hendrix, Clapton, Beck and Page, who typified the louder and more aggressive blues rock playing styles that came to characterize that era.The G12M-65 Creamback produces the familiar woody G12M tone, but handles greater power.

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Nov 26, 2010  · The Classic 30 is a great value, but the 15W Blues Junior is much better suited to my needs as a home player. And there are a ton of inexpensive mod kits for the Blues Jr. available at Bill Machrone’s website to transform a good sounding amp into a great sounding one.

Jan 14, 2010  · I ran a Cannabis Rex in mine for a while and it was a huge improvement. Took away all of the harsh on the high end and added some depth and fullness to the low end.